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• Alexb

Description Download, Torrent, Crack The real modern 'Niv ' sound Uses input and output custom designed R.N. Transformers, which are much of the heart of the sound of Mr N s classics. We're not sure what magic is inside of this EQ, but everything we send through it immediately sounds good. This is a fantastic eQ!!! The programs: Carefully sampled @96kHz in a professional recording studio with hi-quality audio and digital cables and master grade converters with audio levels perfectly matched and calibrated. They are precisely programmed without normalizing or other destructive digital processing. The programs don't sound processed, harsh or digital as most plugins do, but instead sound like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.

No, Studio One does not come with a console emulator standard. But in a way I think that is a good thing because it gives you many more choices if you really want to get into that. For me I have got the Sonimus Satson plugins and they do quite a nice job and are quite affordable. Slate Digital are into this type of thing as are many others. I have also got the SDDR from Klenghelm and that has a really cool console feature setting too.

What I am actually doing right now is using another program alltogether and that is Harrison Mixbus. Now this really sounds quite special and has a real smooth Harrison console sound and I just love it! The best way to use it is to do almost all your mixes in Studio One and then just export a bunch of stereo stems and import those into Harrison Mixbus and just bring the final stems together there. The EQ's on the tracks, buses and the main stereo buss are all different.

You have variable control over tape saturation and that sounds pretty sweet and of course that whole Harrison console sound too. I do a lot of mastering in Mixbus too. The Mastering compressor and EQ is also excellent too. No iLok required for any Klanghelm products. In fact he is dead against it. The Slate Stuff yes for sure.

I refuse to use any iLok products, period. For every great iLok product there is one that is just as good but does not need it. The iLok can stop you from using your gear and anything that can do that is just plain stupid.

(friend of mine had a faulty iLok and being a pro had to get into his studio for work reasons but could not use anything. Guess what, the iLok server was down, yes down people for days too. He could not even get the new licences onto a new iLok.

How ridiulous! That shut him down for days and he lost clients and credibility as a direct result) Anything that can do that is just plain dangerous! OK for hobbysists maybe but not serious professionals who may need to get into their studios urgently and get stuff done. Just because any iLok users have had no issues does not mean it won't happen.

It is only a matter of time! Just a heads up that may be of interest, though the Harrison solution sounds pretty nice. The other option(s) below would eliminate the need to stem, and work outside S1.

It involves the summing as a mix plugin, so you you can channel individually, or bus multiple channels right within the plugin, and S1's busses as well. Waves currently has the NLS Non Linear Summing plugin on sale for $99. It models three great sound consoles including the SSL, Neve, and a EMI TG12345 Mk IV (out of Abbey Road Studios).

There are hundreds of preset variations of each board to choose from. I'm going to try the NLS out if I can tomorrow, so I'll mention any findings if the results prove worthy. I'm a bit on the fence with software summing emulation, as I'm not sure how it would stack up to true outboard hardware summing mixers. If the results produce something that are really satisfying, I'd be thrilled. That's also going to take a little longer than a day or three to truly find out, but trialing the NLS should be interesting. Waves NLS Other console-like models perhaps worth investigating: Sonimus Satson (mentioned, and is only about $39) Sknote Stripbus ($29.99) Airwindows Console2 ($50).

Nebula3 ($79 to $189). Win 8.1 x64 // i7 3930K (@ 4.2GHz) // Samsung Pro 512GB // 500GB SSD (via Raid 0) // 32GB RAM // MSI X79a GD45 Plus mobo DAW(s): Studio One v3 // Maschine Studio // Reason 7 Plugs: UAD 2 Quad, Klanghelm, Toneboosters, Soundtoys, others Instr.: a lot of stuff RME UCX // SM7b // Warm Audio Tonebeast12 & WA76 // Black Lion Audio Sparrow Red ADC // FMR RNLA // Korg Kaossilator Pro // Yamaha Motif XS Rack // Akai Advance 61 // Sennheiser HD 650 // Korg MicroKey 25 // Presonus Faderport // Contour Designs Shuttle Pro. ILok paranoia aside, Slate VCC is simply amazing.

Alexb

5 consoles (at the moment, a sixth one is supposed to be released soon), emulating either channel input or buss section. It goes on every track, period. I know there have been some nightmare stories about the iLok. I've had an iLok2 for a couple years now, with no issues - and you have the option now to serialize your computer rather than using the dongle. For me, though, having the dongle has been pretty much seamless. Sure, I would prefer not to use it - but I'd rather put up with an iLok than give up my Slate plugins.

Statson is nice for a low budget plug. I use the VCC mainly and sometimes stem out to use in Mixbus. Mixbus is sweet sounding and if you can grab on sale for $39. It is a GREAT buy for low budget minded to get good analog type console sound. But as i tell everyone. The RC-Tube by Slate Digital (just one of the VCC package which emulates a 1950's RCA radio desk) is a fine fine console and sells ALL the time for $49 and comes with a free iLok2 ($5 shipping to lower 48) it is the BEST way to try out the iLok2 and it's plugins.

I was very adamant to never use iLok like Jemusic but took the plunge with the RC-Tube. I thought of it as. Buy a nice plug and get the free ilok as opposed to thinking i was buyin the ilok and getting a free plugin. To help wash it down. But i have to admit once i started using iLok Only plugins.

It is clear as night and day why they put them only on the iLok. They are arguably the best plugins on the market and in my opinion surpass the ones you don't need an iLok for. So i am glad i gave up my stigma. So I have seen that one common way to template your channel is: - Tape Emulator, followed by - Console Emulator, followed by - 3 Band EQ, followed by - Parametric EQ Is that the order you would use? In analog world, emulated in digital DAW, would you have Tape Emulators on each track? Before Console Emulator? I new to this, but when I think of recreating and analog setup, would Tape Emulation be post fader on the Master Channel?

Why would you add saturation and each channel and before Console? Any preferred Tape Emulators?

Is the Saturation Knob that Studio One gave us a Tape Emulator plugin?