Mediafire Serge Gainsbourg Whitney
Serge Gainsbourg was, and still is, considered as one of the best poet France have ever had. He was notoriously a heavy drinker, as Charles Buckowsky if you let me compare these two genuises. He loved to provoke: he once burned '500 francs' (around 85 € today) on television. Whitney Houston's official music video for 'I Wanna Dance With Somebody'. Serge Gainsbourg vs Withney Houston on french tv 'I want to fuck you' Archive INA. Sklep z koszulkami: Pobieramy:.
Serge Gainsbourg Albums
American composer Joanna Brouk has died. Her death on 28 April followed a diagnosis of cancer, announced Blank Form on behalf of her family. Brouk was a pioneer of electronic and new age music who explored the underlying sounds of words and their effects on the emotions and health.
She also wrote extensively for theatre, television and radio. At Mills College Center for Contemporary Music in Oakland, California, she studied under Terry Riley and Robert Ashley, and in the 1980s she released a series of cassettes on her label. Brouk was producer and programme director at San Francisco Bay Area's KPFA radio. Last year the Numero label released the first major collection of Brouk’s work. Called Hearing Music, it reached number 31 in The Wire's 2016 Archive Releases Of The Year, featured in issue. The New York based Blank Form had planned to present a Brouk concert in June as a follow-up to her first performance in 30 years, which took place in France last month.
The duo’s joyless stewardship brings out the most mean-spirited elements of zoo radio O’Shea, meanwhile, plays the role of the hen-pecked, resentfully bristling colleague in the same spirit, talking loudly instead of displaying comic imagination. There are occasional flashes of his past as stand-up.
“Throw up the hand, but not in a 1940s fascist way,” he quips, asking for a high five. But such moments are few and far between.
Serge Gainsbourg Movie
In mitigation, the show’s third regular presenter, is absent for the week: his unassuming persona offsets the shrieking partnership of Zamparelli and O’Shea, much as a glass of water makes an emetic palatable. As it is, the duo’s joyless stewardship brings out the most mean-spirited elements of the “zoo radio” format.
To top it all, they barely even refer to the music on the show, the one thing that makes it bearable, however fleetingly. It’s not as though 2FM lack winning on-air partnerships. Having proved themselves as irreverent and inventive broadcasters with their nightly show on the station, and underline their daytime appeal on Wednesday, when they fill in as hosts of The Eoghan McDermott Show (2FM, weekdays).
They ping off each other with unforced ease, approaching such sexually charged phrases as “Netflix and chill” in a nicely laconic manner, over the suggestive soundtrack of Serge Gainsbourg’s Je t’aime. “I always get nervous when you play that music,” King remarks. It’s an object lesson in low-key sauciness that their morning colleagues might heed.
It shows that some 2FM presenters have something worthwhile to say It’s not as if McDermott’s drivetime slot is usually a highbrow destination. On Tuesday’s show, McDermott, with bracing honesty, describes the programme’s normal bill of fare as “kind of frivolous or disposable, like a Happy Meal toy”.
But for all his attractively relaxed on-air manner, he is capable of handling more pressing topics, as when he talks to, captain of Kildare’s women’s Gaelic football team, about coming out. This being 2FM, the interview has a zippy informality to it. McDermott refers his guest’s dawning realisation of her sexuality as “discovering where your allegiances lie”, and sounds unphased when a studio problem leads to an unscheduled musical intermission. But the encounter also speaks to the identity-focused sensibilities of 2FM’s younger target audience. Burke’s concern is not her sexuality – she was happy once she knew she was gay in her mid-teens – but rather the possible reaction of her family to the news. (Thanks to the support of her friends, it turns out fine.) It may not be “as light and fluffy as usual”, but it’s a heartening item, not least because it shows that some 2FM presenters have something worthwhile to say.
Jolyon Jackson A forgotten musician who died young more than 30 years ago doesn’t seem like a cheery premise for a documentary, but The Lyric Feature – Hidden Ground: the Music of Jolyon Jackson (Lyric, Friday) is surprisingly upbeat in tone. This is largely because Peter Curtin’s programme focuses on Jackson’s intriguing music rather than his life, which seems to have been equally interesting. Jackson was the Malayan-born son of an Anglo-Irish colonial official who arrived in Dublin to study in Trinity in the 1960s, but his personal background receives relatively scant attention, as does his death at age 37, from Hodgkin’s lymphoma. Instead, contributors such as Brian Masterson, Philip King and recall Jackson’s evolution as innovative musician and composer, first as a rare Irish purveyor of jazz-rock fusion, then as a pioneer of electronic-flavoured folk. Occasionally, the story tips into unintentionally comic territory: with names such as Jazz Therapy and Supply, Demand & Curve, Jackson’s bands sound straight out of The Fast Show’s jazz club skit. But his music has a remarkable freshness, making Jackson ripe for an overdue rediscovery and reappraisal, while leaving the poignant thought of the music he could have created, had he lived. Meanwhile, in making progressive jazz-rock sound good again, the documentary implicitly suggests that all those triple-necked guitars and flared trousers that died in the punk-rock purges may have perished needlessly.
Music is always worth tuning into.